The first weeks of DITA

"I am aware that my efforts to capture the profound intellectual novelties that we are facing remain inadequate," writes Luciano Floridi in the preface to his book The Fourth Revolution: How the Infosphere is Reshaping Humanity (2014). It is strangely comforting to know that if Floridi, who is immediately conspicuous as a central philosophical presence in information science within days of our course starting, struggles to keep up, then those for whom it is new territory may need a bit more time.

I have no difficulty at all in remembering a time when a computer was something worth travelling to see. My school mate Richard would get the bus to Exeter University to find out more about the room-sized computer there in the late 1970s. And now, a few decades on, we talk in Digital Information and Technologies and Architectures (DITA) sessions about exabytes of data being generated every day, while smartphones sit on the desks next to us. My own small contribution to this digital outpouring has been through blogs, tweets and other assorted social media, along with the data trail we naturally leave without even trying. The first sessions of this module have highlighted for me how we ride (or try to ride) the crest of this informational wave, informing and being informed in as coherent a way as we can manage.

Although we are engulfed with this deluge of information, much of it arrives in small chunks, and it is tempting to consume a lot of those chunks rather than tackle the larger view by reading to the bottom of fewer articles or chapters. (Perhaps you've even stopped reading this post before you reach this sentence.) Just setting up this new blog to reflect on the DITA module over the coming months is an exercise in looking closely at how I present myself online, and how information architecture can be best used so that people are more likely to read right to the bottom of what I write.

And it makes me consider how honest I am about myself in my online presence. We refine our channels of interest by choosing what we "follow" or "like", but that also has the inevitable effect of cutting off a stream of information that we could have found unexpectedly relevant and revealing to our own situation. Putting it another way, if we just turn on a radio, we may find ourselves interested and enlightened by something that happens to be on that we would never otherwise have heard. But if we only tune in to things we carefully select through the listen-again iPlayer, that element of chance and surprise is absent.

So what sticks with me for now, at least, is another line from Floridi: "The risk is that our digital technologies may easily become defining technologies rather than identifying ones" (Self-Fulfilling Prophecy, Schirn Mag, 24 April 2016).

Follow me @jameshobbsart.

A bit about me...

I don't think I ever expected to find myself studying information and library science at university, but as our recent induction and introductions to our modules have made all too clear, events in the world of information are moving at such a rapid pace it is hard to make firm predictions for even next week.

My journey to #citylis has been via a first degree in fine art, a career in arts journalism and publishing – magazines, newspapers and books – while selling the odd painting and drawing along the way. I have been volunteering at St Bride Library, just off Fleet Street, which is home to a collection covering printing, typography and graphic design, and more recently at the Stuart Hall Library at Iniva (Institute of International Visual Arts) in Shoreditch, which focuses on contemporary art from Africa, Asia, Latin America and the work of British artists from diverse cultural backgrounds.

I am, I'm sure, the oldest in our cohort (I have a daughter at university, for goodness sake), so it's great to be part of such a diverse and inclusive group. I'm looking forward to working with you all for the next year.